![Indlæser Begivenheder](https://henningchristiansenarkiv.dk/wp-content/plugins/the-events-calendar/src/resources/images/tribe-loading.gif)
- Denne begivenhed er allerede afholdt.
FLUXUS CONCERT IN BERLIN
CONCERTS AND LECTURES PROGRAM FOR HOLY FLUXUS: FROM THE COLLECTION FRANCESCO CONZ
Matthäikirchplatz, 10785 Berlin, Germany
3 september @ 19:00 – 20:30
FREE INTRANCE
03.09. Anna Clementi, Deborah Walker, Werner Durand
Compositions by authors of the Fluxus movement (Yoko Ono, Philip Corner, Geoffrey Hendricks, Henning Christiansen, Bengt af Klintberg, Giuseppe Chiari and more), played by Anna Clementi, Deborah Walker and Werner Durand.
Philip Corner CELLO WALKING – Præludium: cello slow drag (2017) Deborah Walker, cello 4′
Giuseppe Chiari Per Arco (1963) Deborah Walker, cello & tape 9′
Öyvind Fahlström Morgon (1952-55) Anna Clementi, voice 6′
Henning Christiansen Wolfsflöte (1986) Werner Durand, wind 4′
Sten Hanson A Living Man (poem) (1971) Anna Clementi, voice 4′
Henning Christiansen Sturmsax (1986) Werner Durand, wind 4′
Yoko Ono Voice Piece for Soprano (scream against the sky) (1961) Anna Clementi, voice 3′
Yoko Ono Voice Piece for Soprano (scream against the wall) 1961) Anna Clementi, voice 3′
Yoko Ono Voice Piece for Soprano (scream against the wind) (1961) Anna Clementi, voice 4′
Giuseppe Chiari Metodo teorico e pratico per suonare il violoncello (1962) Deborah Walker, cello 8′
Bengt af Klintberg Triad No. 2 (2021) Werner Durand, bottles 6′
Philip Corner GOOD JEW, after a listen to Julius Eastman’s ‘Evil Nigger’ version for three (2021) 8′
Deborah Walker, Anna Clementi, Werner Durand
Total duration: 63′
The concert program as part of the exhibition “Holy Fluxus – From the Francesco Conz Collection” was put together by Petr Studeny (Prague) together with the soloists. With the exception of the performance on Charlotte Moorman in the Museum of Decorative Arts on the occasion of the exhibition of the “Avantgarde Beetle”, all events take place in St. Matthew’s Church and are free of charge. The cello project by Katharina Haider was kindly supported by the Corona funding line of the Ernst von Siemens Art Foundation.